Music: Still listening to that new M.I.A. album

Have you heard the story? British-born Sri Lankan hip-hopper M.I.A. was denied a visa to come to the U.S. for years because of her politically subversive lyrics and ties to guerrilla fighters in her father's homeland.

So, she skipped the studio sessions with American producers - and reportedly Gwen Stefani - and recorded her new album "Kala" in third-world countries and, the AP reports, with a decidedly third-world political perspective and sound.

That back story sure beats Vanilla Ice's "I'm from the streets, yo!" b.s. from back in the day, but does it herald a good album?

Sort of. "Kala" is a mixed bag, and it's taking me a while to get into it. The album's sounds and subjects are more experimental than on M.I.A.'s last release "Arular." There's less hip-hop, more disco and world beats and, unfortunately, more filler on this release. Still, tracks like "XR2" and "Paper Planes" are worth repeat listens. "Boyz" almost recaptures the quirky, beckoning beats and spirit of "Galang" and "Bucky Done Gun" from "Arular," but it's not quite there.

I'm looking forward to decoding the lyrics a little more, since most of the songs seem inspired by political conflicts and the toll they take on people and their lands.

These new songs are different, but they're still good. She'll nail it on the next one. For now, dig on this clip for "Jimmy," one of my favs from "Kala."



Links:

MIAUK.com

M.I.A. at MySpace

AP story on M.I.A.

Photo from The Associated Press

Film: 'Darjeeling Limited' trailer

So, there's a "Darjeeling Limited" trailer floating around the web. Scroll down to view a YouTubey version.

The new Wes Anderson film stars Jason Schwartzman, Adrien Brody and Owen Wilson (no Luke?) as siblings touring India. Anderson wrote the script with Schwartzman and first-time collaborator Roman Coppola, who I haven't heard much about since "CQ' came out back in 2001. Natalie Portman, Anjelica Houston and Bill Murray co-star.

"Darjeeling" looks like it combines the odd family dynamics of "The Royal Tenenbaums" and the divisive insanity of "The Life Aquatic With Steve Zissou." So, yeah, it looks good, and I can't wait to see it - if it comes to my local Cinemark. (Damn you Brownsville, you one-horse town).

The film opens Sept. 29 in some markets.



Links:

High res trailer

Official movie site

Photo from Fox Searchlight

Film: Hey 'Superbad' fans

So, "Superbad" is the number one film in the country and tons of people still don't know about "Clark and Michael"? It's cool. I just watched my first episode today, although I've been meaning to check it out for a few months now.

"Clark and Michael" is a great little Internet TV series starring and written by "Superbad" star Michael Cera and pal Clark Duke, who had a cameo in "Superbad." The ten-episode series is about little more than the pair trying to sell a TV pilot about their lives to the networks, but it's damn funny and each ep is only about ten minutes long.

The few eps of "C&M" I watched made me laugh just as much as "Superbad" did - and McLovin' isn't even in the thing. The series does feature cames by cool kids like Patton Oswalt, Andy Richter, David Cross, Tony Hale from "Arrested Development" plus the great line "They brushed our teeth with their dicks."

It's funny. Watch it.

Links:

ClarkandMichael.com

Clark Duke's YouTube Channel

Photo from ClarkandMichael.com

TV: 'Keep flirting to a minimun'

If you owned a TV news station, would you hire an anchorwoman whom you had to remind to "keep flirting to a minimum" when dealing with news sources? I wouldn't, but KYTX Channel 19 president - and Rick Perry clone - Phil Hurley did.

Hurley hired former bikini model and WWE "diva" Lauren Jones (that's her mug up there) as an anchor to boost ratings for his local newscast in Tyler, TX. Jones has no journalism experience and is probably best known by teenage boys who watched her on WWE hoping to catch a nipple slip. It's all documented on FOX's new "comedic reality" show "Anchorwoman," which premiered tonight.

I'd read nothing about "Anchorwoman" before catching the first two eps on FOX, but I knew what I was getting after the first minute or so. It's another fish-out-of-water tale with nothing new to say and only a hint of humor, mostly at the expense of the uber-bubbly Jones who, like Homer Simpson, seems at times unable to have an inner dialogue.

Sure, at least it's a "documentary-style" reality show instead of the "seven people picked to live on a pirate ship" variety, but I don't see it holding anyone's interest after a few eps. I mean, what do viewers really have to look forward to but watching a clueless, monster-boobed party girl alienating her serious co-workers and screwing up the news?

The character I find most interesting on the series isn't Jones, but station owner Hurley. It's pretty fascinating watching such a stiff and unimaginative suit so obsessed with the bottom line and so unconcerned about his staff that he's willing to damage their reputations, sink their morale, and kill his station's credibility with one dumb decision.

Still, I'm not sure how much credibility this station or its employess had in the first place. I might be wrong, but it looks like they hired a dog (yes, the "bow wow wow" kind) to do the weather.

"Anchorwoman" airs Wednesdays on FOX.

Links:

Anchorwoman at FOX.com

Lauren Jones' last job

KYTX 19 (Lauren's current job)

Photo from FOX.

TV: Logan Echolls is CBS's new vampire

Wassup "Veronica Mars" fans? Still waiting for season three to hit the stores (you think we'll really get to see that trailer for the proposed season 4)? Well, while you wait, take comfort in the fact that a lot of "VM" stars have already moved on to paying gigs. The latest news is that Jason Dohring (Logan Echolls) will star in the upcoming CBS drama "Moonlight," about a vampire detective named Mick -- not Angel, or Nick Knight -- seeking redemption in Los Angeles.

Dohring doesn't play the lead. He plays a confidante to Mick (Alex O’Loughlin) named Josef, an ages-old vamp who, much like Logan, is rich and likes to misbehave. According to Film.com, Dhoring's role was originally played by 60-year-old actor Rade Serbedzija, but the producers decided to recast the role to make it less ... boring.



Sure, this series looks like a watered-down, big three version of "Angel," but I'm going to give it a chance now that Dohring's on board (and the fact that I was looking for a legit reason to watch it anyway). It can't be nearly as bad as, say, "The Dresden Files," right? CBS plans to air the thing on Fridays this fall. Good luck Dohring.

Film: '1408' quick review

In "1408," John Cusack plays a depressed writer trapped inside an "evil fucking room" that's clearly bent on driving him nuts and then driving him dead. Once shut in the room, Cusack's Mike Enslin endures tons of disturbing tricks straight outta Stephen King's big bag of horror randomness. He's left witless by flapper-era spooks, attacked by a mask-wearing slasher and even receives a visit from his dead daughter. Most of what happens in "1408" is pretty creepy (especially the periodic blasting of The Carpenter's "We've Only Just Begun"), but it's not the source material or the script, based on a short story by King, that makes "1408" one of the best King adaptations since 1980's "The Shining." The credit should go to Cusack and director Mikael Håfström.

Cusack fully commits to his role, somehow adding weight to Enslin's reheated back story and the ensuing tale of redemption. He makes you feel his emotional, psychological and physical pangs -- whether you want to or not. Håfström's film is refreshingly gore free, but it's still scary as hell. The Swedish filmmaker's suspense-crafting skills cannot be overstated here. The expository scenes leading up to the frights progress with a haunted air, thanks in part to a great supporting turn by Samuel L. Jackson, but things get really tense once Cusack checks into the suite of horrors. Those who don't suffer from anxiety or vertigo will get a chilling taste of both watching Cusack sneak across a ledge in an ill-fated attempt to escape the room. Things get so nerve-wracking that some might want to look away from the screen (like I did) for a few seconds in the third act.

If gripping suspense films are your thing, then "1408" is a must-see. Be warned though. Like most horror/suspense mash-ups, the ending here is more than mildly ambiguous. What might seem like a Hollywood ending to some might seem bleak to others. The ambiguity doesn't spoil what came before though, and it's sure to spark tons of theories from chatty film buffs.

TV: Battlestar Galactica music video

dr. baltar, bsg

Like all things in nature, Battlestar Galactica has earned its own silly but affectionate parody song/video. I don' t know who made it, and I don't think I want to know, but it's up for streaming here at SciFi.com.

The clip is called "A New Crew in Town" and it points out the differences between the old school Galactica and the new version and features clips from both. It's mildly entertaining, if only for lines like "Sorry Dirk Benedict/Don't want you to lose face/But I'd rather share my space with Kara Thrace."

Music: Download Oasis' 1998 unplugged show ... and don't look back in anger

oasis

Patch over at In Search of Arcadia has done Britpop fans a wonderful favor. He's posted MP3 links to every track from Oasis' 1998 MTV Unplugged set.

There are two great things about these tracks. The bulk of them are off What's the Story Morning Glory, my favorite Oasis album, and Noel Gallagher sings lead on all of them instead of lead singer Liam, who reportedly had laryngitis or some shit.

The tracks sound even better than I remember them. Noel's voice sounds great and the band is backed by some beautiful strings and horns.

Grab the track below and click here to download the entire set.

MP3:
Oasis - 'Cast No Shadow' (Unplugged)

Film: Three recent beautiful failures

the science of sleep

Have you ever watched a movie and thought, "Wow, that was a mess, but I loved it"? I have, and I have a name for movies that make me feel that way. I call 'em "beautiful failures."

Beautiful failures are usually too long, too weird, too sloppy or just plain stupid, but they're always strangely compelling and, well, beautiful. They're the movies you think you hate but you can't stop thinking about. You come back to them over and over and you can't figure out why. They can be very complex, pretentious or even too simple or mass appealing. Other film buffs might tell you different, but there's really no formula to creating a beautiful failure.

Some of my favorite beautiful failures are Steven Soderbergh's Solaris, Stanley Kubrick's Eyes Wide Shut and David Cronenberg's awkward 1996 thriller Crash. I love these films for different reasons, but I recognize that they're all a little ... dreadful.

Here are a few titles I've recently added to my list of beautiful failures. Please, share some of your favorite "bf's" in the comments.

The Science of Sleep

The problems start with the packaging and advertising for director Michel Gondry's follow-up to Eternal Sunshine of the Spotless Mind. The trailer and DVD box try to sell the film as a quirky romantic comedy full of whimsical dream sequences and cute one-liners. What you really get is a seemingly chaotic but densely structured character study of an unlikable, mentally ill manchild (Gael Garcia Bernal).

There's a lot of good here, though. Bernal's character has trouble disassociating fantasy from reality, and Gondry illustrates this with some charming and singular visual tricks. Also, the ending is somewhat of a stunner that brilliantly unites all the disparate ideas and elements that came before. Unfortunately, most viewers will be confused and sick of all the seeming randomness before the third act. Bernal and the rest of the cast are great, but most of the characters are unappealing or hard to relate to. Still, I'll go back to this movie again for its brave storytelling, strange comedic bits and great visuals.
View the trailer

The Fountain

Where to start? The Fountain is the perfect beautiful failure. It's at times fiercely incoherent, silly and pretentious, but it's also visually impressive and features a very strong lead performance by Hugh Jackman.

All of the "big ideas" director Daron Aronofsky (Pi, Requim for a Dream) attempts to convey here can be gleaned from the preface of one of those Don't Sweat the Small Stuff books, but he delivers his dime store philosophy in an extravagant package that constantly switches from compelling to laughable (picture a bald Jackman reaching nirvana while sitting in a lotus position). Add to that a bunch of muddled biblical references, plot strands that go nowhere and performances that range from sleepy (Rachel Weisz) to irrelevant (Ellen Burstyn) and you have a "bf" that, somehow, demands repeat viewing.
View the trailer

Ghost Rider

This campy comic book adaptation is about a guy with a flaming skull for a head, but that's the least ridiculous thing about it. After delivering two joyless duds based on Marvel books (Daredevil and Elektra) writer-director Mark Steven Johnson amps Ghost Rider's absurdity factor up to 11. Unfortunately, that's way too high -- even for a comic book movie.

The film is a poorly written, painfully simplistic and predictable popcorn flick, but its worst attributes are what will keep me coming back to it. You have to admire a film that so economically delivers the cheap thrills and seems willing to suck ass to do so. The cast members do their best to make sure that Ghost Rider makes you smirk for 90 minutes and slips out of your system faster than a Diet Coke. It's a sick and fascinating thing to watch Nicholas Cage violently hammer tons of trite quirks and ticks into his character (He eats M&Ms from a champagne flute! He listens to The Carpenters! He speaks with an undefinable accent!). Peter Fonda and Sam Elliot ham it up, but the real kick here is Wes Bentley as the film's impossibly witless and fruity villain, Blackheart.
View the trailer, I dare you